Thursday, April 30, 2020

Amenemhat III's Lost Great Labyrinth features in this Egyptology adventure series


TRAPPED IN UNDERGROUND CHAMBERS OF EGYPT’S LOST LABYRINTH... an archaeologist must recite the Book of the Dead to survive

(Chapter excerpt... from THE SMITING TEXTS, first in the 9-book Egyptological adventure series))


Chapter 84

WITHOUT A TORCH, under the fluttering crossbeams of their lights shining from behind him, Anson continued his approach to the heart of the structure.

He held on to the rope, keeping it taut. He tracked along it, keeping within reach of the golden mound at his side.

He slid a foot forward. If it gave under his weight, the rope would save him. It held. He rolled his weight onto the stone and took another step. On the third step, the floor roared and the stone slid away. His hands clamped even tighter on the rope as he braked himself. He teetered on the edge.

Three more steps and he reached the end of the rope. Now he was on his own. He chose an inlaid golden ushabti box with a vaulted lid and drew it towards himself. It screeched on the stone, heavy with its unseen contents - mummy-shaped servant statues cast in gold, nested inside it, he guessed. He positioned the box in front of himself and bent to slide it forward. It squealed on the stone and set his teeth on edge.

One metre, two.

It vanished from his hands. A slab of stone gave a hollow roar and swallowed it. The box landed below with a muffled crash. He chose a jewel encrusted box next. A few steps later he pushed it onto a treacherous stone and it too slipped into a void and crashed in a pit below.

What next? One of those heavy golden chairs with the leopard claw feet? Or that offering table inlaid with gold? There was also a model boat sitting on a sled. His stratagem was working. He was edging his way safely to the shrine. All the others had to do was to follow his footsteps left in the dust of the floor.

They stood in front of the heart-shaped building.

Two images, painted directly above the doorways to the two chambers, leapt into the beams. The way ahead split into two. One was the image of a dog or jackal - Wepwawet or Anubis - sitting on a shrine. Above the other door sat a beautiful, squatting goddess with a tall white feather in her headband.

“Maat, goddess of truth,” Daniel said. Dark wedges, entranceways, in the stone opened under each.

“Look at her, she’s beautiful!” Kalila whispered.

Maat sat as neatly as a cat, a tight sheath dressed pulled over her knees.

“Which way?” Anson said. “Do you know?”

“The way of truth,” I suggest,” Kalila said.

“Then we’d die,” Daniel said. “We will fall into a pit where the Great Devourer will eat our souls. This is the trial of the balance. It’s the jackal-dog who must lead us to Osiris and the trial. Psychostasis,” the big man said. “The weighing of the heart. Our hearts must be weighed against the feather of truth. If our hearts prove heavier than a feather and we are found to be guilty, we cannot pass into the Land of the Blessed.”

“As light as a feather? No human being is that innocent,” Anson thought aloud.

“It suggests the way of Maat to me,” Kalila said.

“No. We must go through the chamber of the jackal-dog,” Daniel insisted.

The weighing of the heart. Their progress rested in a balance.

“A vote?”

“I’d say follow the pointer dog,” Anson said.

Daniel led the way and they filed through the doorway. Kalila cast a uneasy glance upwards at the face of the painted jackal, the elongated Egyptian eye following them with a sly gleam.

The heart scarab and the feather, in perfect balance. It was a key image of Egyptian judgment. The heart in one pan, so light and free from sin that it could be counter-balanced by a mere feather in the other pan - the feather of Maat, goddess of truth.

They found themselves in an oval chamber surrounded by deep-cut bas-reliefs of gods and goddesses in vivid colour on walls made of blocks of stone. Apart from these reliefs, the room was empty although the floor appeared to be coated in reddish dust. They flooded the walls with their lights - Hathor, Seth, Horus, Nut jumped into view... a pantheon of gods and goddesses encircling them.

The chamber trembled with a roar like waves hitting them on each side. Then it convulsed. A grinding plane of stone began to move. The doorway - a great stone shadow slammed down blocking their exit.

They had made the wrong choice.

When the ground stopped shaking, they shone their torches around the chamber. They were trapped inside a sealed chamber, with no way back or forward.

Our hearts have failed the test. We have been found sinful, the thought hit Anson. We’re stuck in the heart of the tomb.

"I think we've just had a coronary shut down," he informed them. He looked at Kalila, Daniel and his nephews. “Any ideas?”

"There must be some mechanism that opens it again," Daniel said. "We must find it! Start looking, I suggest.”

They all joined in a search of the walls and floors, as they hunted for hidden levers or mechanisms that might open the doors, pressing individual blocks of stone, running fingers between cracks.

Sound above their heads put a stop to their efforts. Something was happening in the ceiling. Anson listened. Hissing sounds. Small apertures had opened in the roof. Red streams ran softly into the chamber.

"Blood!"

"Not blood, after three thousand years." Daniel bent and scooped up a handful. He sniffed it. "Clay dust," he muttered.

It wasn't blood, but it could kill them just as surely as any liquid.

"It's symbolic blood, dry red clay from Elephantine,” Anson said. “The red is haematite, iron oxide. In ancient legends red clay often took the place of blood when mixed with wine or water. I think this dust represents the blood of Osiris."

"If we don't get out of here soon, it will choke us," Kalila said, giving voice to their fears.

They redoubled their efforts to find a lever. They ran their hands like nervous spiders over the walls.

The powder-blood flowing into the heart gathered in piles around their feet. The streams were running faster.

Kalila coughed. Fine dust filled the air. It would suffocate them long before it covered their heads.

"Keep looking!" Daniel urged them.

"There’s nothing," Kalila said.

"It is a mechanical trap," he insisted. "There must be something that will open it again."

Were they going to die, choking in blood? Anson looked up. Was it possible to climb out of here? He searched for a beam or projection, something they could use to hang a rope from the ceiling? Nothing.

Anson went on watching the streams of red dust particles falling from the ceiling. Then the world brightened as an idea floated down to him.

“As light as a feather?” he said. “What human being is so innocent? That’s it. No human being is that light. We have to change ourselves, take on the forms of the gods. Before the dead can go on to take their place in the realm of Osiris, they had to say a spell that would change the parts of their bodies into the parts of gods.”

His eyes swept around the walls at the carved reliefs of the gods and goddesses, the torch beam turning the dust into clouds of blood.

Red dust piled up around their ankles. Anson felt the dust tickling his lungs. Daniel covered his mouth with his shirtsleeve, spluttering.

“What were the parts that must change?” Anson said.

He banged his forehead with the palm of her hand, trying to jolt his memory.

“Think, brain. Think. The Chapter of Coming forth by Day. The Papyrus of Ani...”

The red dust turned the air into a blood storm, as if blood had already filled the chamber to its roof.

“There’s no way to open that door,” Daniel said.

“Then we’ll all die, unless we can think of a way,” Kalila said.

“I’ve got it, I think. We’re going to need a bit of divine help,” Anson said. The powder blood billowed up into their faces and seeped into their clothes. He waded through it, sinking up to his ankles.

“Am I right?” he said, with a rasp of dust in his throat.” Is there an order to this?” He reached the wall. “ The dead must take on the parts of the gods. Which gods and in which order?”

The powder was in their lungs and it tasted metallic like blood.

Anson recalled the prayer of the papyrus of Ani.

“My eyes must become the eyes of Hathor...” he said.

Hathor stood with a crown of cow horns and a solar disc between them, her lithe form rippling in the blocks of stone. He reached up to Hathor’s face and pressed the eye. A block grated back into the wall.

He twisted, face alight with relief. “I haven’t lost my touch. We’ve got to choose the parts of the gods and so change ourselves. Each part of a human body has to become a part of a god... The eyes of the dead must become the eyes of Hathor, his face the face of Ra, his cheeks the cheeks of Isis, the backbone that of Seth, the buttocks of Horus, the phallus of Osiris, the thighs of Nut, the feet of Ptah...”

Each part had to change into a god.

Anson went around the wall, brushing past the others who had covered their faces and were trying to sift the dust-laden air through their fingers.

Powder blood rose past their knees to their thighs.

Anson came to the face of Ra, a broad shouldered man with an eagle’s head and a red solar disc on his head.

“The face of Ra.”

He pressed the beaked face and another block ground back. Isis was next. “The cheeks of Isis”. The goddess stood erect and slender, wearing a crown shaped like a throne on her head. With a shaking hand, he pressed a golden cheek. A black square rumbled into the wall.

A bas-relief of Seth loomed next through the dust, a monster with erect, square tipped ears and a hooked nose like an anteater. “The backbone of Seth.” He pressed the spine of the god. A vertical block slid back under his eager hand.

“Hurry, Anson!” Daniel said. He gasped in the dust filled air.

“The buttocks of Horus!” He pressed the rear of the god and made another stone grate back into the wall. The figure of Nut arched across the wall. “The thighs of Nut,” he said, like words of a chant. He waded through powder to press a smooth curve of a thigh.

The area sank under his hand to reveal an empty square.

The powder continued to rise

Who was next? Ptah. There he was. Anson went to Ptah, the creator god, a standing figure wearing a tight blue skullcap, his stiff body tightly wrapped in white winding cloth. “The feet of Ptah.” But the red powder blood had already covered the god’s legs. He dug with cupped hands, adding more cloud to the choking air. The legs of the god appeared, a pattern like fish net on the winding cloth.

The white, pointed feet of Ptah inched into view.

He pressed the foot.

Their ears were filled with the shriek of grating stone...

AMAZON KINDLE and PAPERBACK

 

UPDATE SERIES RANGE AMAZON KINDLE AND PAPERBACK

What catastrophe PLAGUED the age of Amenhotep III, Akhenaten and Nefertiti?


WARNING! ANCIENT GLOBAL THREAT... the impossible scrawled message turns up in a newly found Egyptian tomb, along with a modern biohazard symbol.
Who sent it?
Is missing archaeology team member Lucas Burrows trapped in the ancient past during an age of terror?
What mysterious plague has hit the population of Egypt in the reign of Pharaoh Amenhotep III and his young co-regent Akhenaten? Why is it seen as a judgement by the angry sun god Ra?
Lucas, a physician and World Health Organisation expert on pandemics, must find its source and the antidote in time to save the ancient past and the future.
Especially when his lover, the lustrous Italian-born Egyptologist Giulietta, is exposed to the deadly contagion.
An enthralling and thought-provoking medical thriller.


SEE The RA VIRUS  here  (AMAZON KINDLE AND PAPERBACK)

Wednesday, April 29, 2020

Supranormal Mystery - investigative mythology in this Egypt series



An unusual investigative team investigates the far from usual


Think Egypt "X-FILES meets THE MUMMY" -  Egyptological investigative fiction series (Amazon)



It began with 'The Egyptian Mythology Murders', now a series.

A team in kindred professions, a young female Egyptologist curator and an antiquities policeman team up to battle mythological chimeras from our nightmares.





The mass hunger for EGYPTOLOGICAL EXCITEMENT – and “a sumptuous feast of Egypt’s past” to help satisfy it.

2020 Fiction titles (Amazon Kindle and paperback)




Wednesday, April 22, 2020

Egyptomania: "ALL ABOUT THE GOLD" - OR NOT?


(National Geographic - quintessential gold imagery)

Popular Egyptologist and book writer Kara Cooney once quipped on social media: “It’s all about the gold.”

She made a point about the popularity of Egyptian exhibitions, and I agree.
On a certain level, all that shining bullion certainly is a lure for anyone.

And yet... it’s also about a bit more than the gold, as I am sure she'd be quick to agree.

What really compels us, on a deeper, less conscious level, to draw physically close to Tutankhamun’s golden treasures at an exhibition - or to the Great Pyramid at Giza, for that matter?

What compels us to journey to be in their presence?

It’s more than the preposterous display of ancient power and riches, although that’s a large part of it.

It’s a desire for proximity to this magnificent ancient past.

For proximity between us now, and Egypt then.

These artefacts overwhelm our senses, and yet they also engage us with a deeply personal issue - the ‘first great mystery’ - death.

A thrall comes over our senses when we, in our modern age, stand in the presence of the Egyptians’ magnificent obsession with eternity and their monumental rejection of death.


As Carl Jung asserted:  "The unconscious psyche believes in life after death."


I think that is perhaps why I prefer to concentrate on writing my series of modern, archaeological thrillers that explore this frisson, this brushing together of today against the ancient past, rather than setting my fiction purely in the past.
We want to feel ourselves in its presence.

AMAZON paperback and Kindle


It’s all about us, people.

Thursday, April 16, 2020

Wow. Corona virus and demonic forces from ancient Egypt?

Stranger than fiction






 "Televangelist Candice Smithyman, who also serves a pastor at Freedom Destiny Church in Orange Park, Florida, where her husband, Adam, is senior pastor, says the new coronavirus is a “demonic force” from ancient Egypt that will require repentance and unity in the church to be defeated.

Smithyman later explained why she believes the new coronavirus, which has infected more than 2 million people globally and killed at least 137,000 as of Thursday, is a “demonic stronghold from ancient Egypt.”
“The book of Exodus shows how, through the lives of the Hebrew people, God came to rescue His people who were under bondage to the gods of the Egyptians. So are we under bondage today to the gods of the Egyptians? I say yes, from ancient strongholds that have dominion over certain regions and principalities of our world,” she argued. “I believe this virus is a demonic stronghold from ancient Egypt still in existence today.”
She then went on to explain her theory further before reiterating her call to the church to repent and unite.

 (One of my blogs below)

ATOMIC weapons of the ancients? Ancient Egyptian curses, execration or smiting texts...

An ingenious alternative Egyptologist called in to battle unseen dangers from the ancient past. (9 book series, Amazon)
AMAZON (Paperback and Kindle)
Egypt (goddess Isis) resurrected?

Tuesday, April 14, 2020

Egypt MUMMY SCAN REBOOTS an ancient cycle in modern day London...



AMAZON Kindle and paperback

A blast from the mythological past... after a mummy's radiation imaging scan... 

1st in the trilogy of mystery adventures

Monday, April 13, 2020

Ancient Egyptian myth that anticipates Arabian Nights Schehezerade?

Spinning the ferocious lioness a string of stories to lure her back to Egypt

(Excerpt from THE FORBIDDEN GLYPHS, Amazon Kindle)

He drew her attention to an image carved into a wall, showing Thoth as a baboon adoring an angry lioness.
  

   “Nothing is new. In a myth that anticipates the Arabian Nights, Thoth was sent into the desert in the form of a baboon to try to locate the goddess Hathor and lure her back home with him. It seems the rampaging Destroyer of Humankind and Goddess of Love, had thrown a huff like a desert dust storm and turned her back on Egypt, loping off into the desert. How did the god of words,Thoth, win her back without being devoured? The little trickster spun the lioness a string of stories, like Shehezerade, drawing her step by step across the desert, charming her all the way home to Mother Nile.”


ANOTHER MYTHIC TALE ABOUT HATHOR AND A PURSUER...
'HUNTING HATHOR'
'This tale is particularly beautiful. Wonderfully clever and original.”
- The Truth About Books, UK.



HUNTING HATHOR
Amazon Paperback & Kindle 

Saturday, April 11, 2020

Ancient Egypt Arises in 2 Big Series Reads - mythological mystery and archaeology adventure


TRILOGY IN ONE
3 BOOKS IN 1 Kindle edition


VIDEO: Resurrected Egypt... in Mystery Adventure Fiction

(618 pages)

OTHER 'RESURRECTED EGYPT' TITLES 



Trilogy in one. The Egyptian Mythology Murders (618 pages)


New release AMAZON KINDLE

3 Egyptian mythology-driven mystery thrillers set in the modern day, but with a twist of the ancient unknown.
A unique investigative team of Jennefer, a museum curator, and Jon a London antiquities detective - two very different people who work in 'kindred professions'... The X-Files meets 'The Mummy'...
 

- THE EGYPTIAN MYTHOLOGY MURDERS
A mummy named Isis is taken to a hospital for a non-invasive imaging scan… so begins a mystery and a string of deaths.
An ancient cycle unfolds in modern day London - and a search for eternal love.
Can Jennefer, a young trainee museum curator and Jon, a police antiquities unit detective, stop the killings in time before a terrible culmination of events?

- THE OBELISK PROPHECY One Egyptian obelisk is the key to saving civilization

- THE EGYPTIAN CROCODILE CURSE An Egypt exhibition, a series of mythological murders