Thursday, November 24, 2011

Glyphs Along The Highway - with a credit to Ian Fleming


Do hieroglyphs hold any more potency than highway symbols?

Hump... or the Egyptian hieroglyph for 'foreign land'?

'Foreign land'...'hill country'

Author Ian Fleming wrote amusingly about the “exotic pungency” of USA road signs in his James Bond thriller ‘Live and Let Die’ – ‘SOFT SHOULDERS – SHARP CURVES – SQUEEZE AHEAD – SLIPPERY WHEN WET.’

As I take my ancient Egypt and mystery fiction writing on the road, I can’t help wondering about the glyphs we see at the roadside here in Australia.

How do these enigmatic signs compare with the ancient Egyptian glyphs that mark the underworld journeys of my renegade British archaeological hero Anson Hunter?

Like the menagerie of animals that appear in ancient Egyptian hieroglyphs – Australian roadside glyphs possess a zoomorphic vocabulary, including kangaroos, koalas, wombats, ducklings, cattle, emus, crocodiles and sharks.

A zoomorphic roadside vocabulary

Some signage glyphs are as menacing as curses uttered by Egypt’s priests in execration rituals – “A microsleep can kill.” “You’re a bloody idiot!”

Roadsidce curse

Others are tenderly human when found along the harsh and merciless march of the bitumen - small children defensively holding hands. 

Another has a caption that makes the peril of road-crossing sound like a cosy adventure story – ‘Refuge Island’.

What would the Egyptians make of these signs?

One of the first recorded workers' strikes in history happened in Egypt in the reign of Rameses lll when the royal tomb workers downed their tools when their pay and rations were not forthcoming.

To other eyes, some of our signs might look like protest banners. End Roadwork! End School Zone! End Freeway!

Is it superstition to believe that the sacred writing of hieroglyphs held any more potency than road signs, even though they were invested with the power of heka, Egyptian magic?

My Egyptologist hero Anson Hunter has a respect for unseen dangers from the ancient past, execration texts, forbidden artefacts and the like. He is something of a phenomenologist, one who believes in granting value to the sacred, unlike conventional Egyptologists with their ‘agnostic reflex’ that prevents them from taking the esoteric seriously.

Perhaps the fact that there are others today with an agenda that takes its inspiration from the mystery religions of Egypt, who believe very seriously in the potency of Egypt’s past that warn us to be wary of unseen dangers breaking into the 21st century.


The journey continues here